Meinl Percussion

Can I refer you to an article entitled "Blueprint for The Future" from the Jan. 2005 edition of Drummer Magazine? The article states that "Meinl have grown from a company making entry-level instruments, to one that is breaking new ground with innovative products".

Now, although there is no doubt that Meinl did indeed begin life manufacturing "entry level instruments" it is the transition from that status to "ground-breaking" that we are now concerned with. In particular I put it to you that the word "innovative" is often too casually bandied about by salesmen and PR people more concerned with promotion than with actual reality - more prone to "sales-speak" than to speaking the truth.

So without further ado, let's examine the evidence.

percussion table OK, before we bring these items out for perusal we need somewhere or something to stand them on, and these percussion tables would appear to be made for the job - which in fact they are. Constructed of fibreglass, they are therefore reasonably light and hardwearing. The larger being 18" x 12" in size with the smaller being 12" x 12". The metal bracket attachment has a simple but sturdy clamp which enables you to attach the table to any common stand, which could be a cymbal stand if you are a sit-down drummer wishing to have some hand percussion close to er.. hand, or perhaps a microphone stand if you are a vocalist who also needs to shake your percussive stuff. The table is actually shaped like a tray with raised sides, which should prevent instruments from rolling off, and is "carpeted" inside with special Meinl percussion tray carpeting to prevent instruments from slipping. On the larger table the tray section can also be detached from the bracket, turned and fixed horizontally if preferred. Apparently the table's "innovative design" (that word again) allows the angle of the table to be adjusted - well that feature was just too innovative for me because I could not see how that could be done.

The MC-SH shaker holder (designed by renowned percussionist Jen Lowe) is simple, effective shaker holderand does exactly what it says on the tin. It attaches via chunky wing nuts and bracket to any stand (could be cymbal stand, hi-hat stand or mic stand) and holds any size shaker in a comfortable position and in easy reach for when you need it. The claws are covered in rubber to prevent damage to the shaker and are adjustable lengthways to accommodate any length of shaker. This is far better than having to grope around on the floor, in the dark, when your special shaking moment arrives. Which in fact is now as we move swiftly on to the SH9-L-BK and SH10-L-BK shakers.

sh10 shakerThe SH9-L-BK shaker is designed to cut through loud live music by virtue of a black aluminium shell which does create a loud, penetrative (some might say harsh) sound. Whereas the SH10-L-BK is a plastic shelled "studio shaker" which, as expected, creates a gentler, warmer sound more suited to the recording studio where its sound level can be controlled and manipulated. Both shakers are lightweight and therefore comfortable to play, and both fit snugly into the MC-SH shaker holder as expected (although, sadly, not at the same time).

Now these Wah Wah tubes are fun, and possibly even innovative! It is a very simple instrument wah wah tubereally, consisting as it does of an aluminium tube which you basically hit with a rubber mallet. The tube is open one end and has a sound hole near the top, which if you cover and uncover after striking the tube gives a very atmospheric and effective "wah wah" effect to the sound. If you choose not to wah wah then a pleasing evocative bell-like tone is achieved which sustains forever! There are two sizes of wah wah tube, the smaller WW1BK (for high pitch) and larger WW2BK (lower pitch). Really an "effect" instrument the wah wah tube may be ideal for use in recordings or on film/TV soundtracks.

The difference with the is the shape, which makes it easier to play because it is balanced better than conventional round tambourines, and therefore feels lighter and easier to TMT1 tambourine handle. I can certainly get more agile using this tambourne than using my conventional circular beast, and can therefore play more intricate patterns and for longer periods of time without fatigue setting in. The tambourine is said to be very durable due to the "ABS" frame which consists of the various parts assembled into a type of "sandwich" - tasty! Certainly the rubber handle is very comfortable and the nicklesilver plated steel jingles create a bright, cutting sound. But that is not all. Being an innovative company Meinl have decided that just being a tambourine is not good enough for the TMT1. Hence this tambourine has ribbed edges which when scraped with a beater of some sort produces a quiro type sound with added tambo jangle! What a great idea! And with a bit of practice you can actually combine your guiroing with your tambourining to produce a hybrid rhythm which we can perhaps call "guirorining"? Now that is truly innovative.

Jingle StickThe JG1 AB Jingle Guiro is a variation on this theme being in reality a jingle stick with comfortable padded handle, nicklesilver plated steel jingles and a guiro style edge which offers many interesting sound possibilities including of course the newly discovered "guirorining" style rhythm. It is also worth pointing out that the jungle sticks are available with alternative jingles made of solid brass or aluminium depending on your taste and aural requirements.

Meinl manufacture a wide range of chimes but today we are concerned with the CH27ST, whichchimes are 27 bar studio chimes, and the CH33HF-R, which are 33 bar chimes. The studio chimes feature light, thin bars made from gold plated aluminium alloy fixed to a sturdy, pleasing looking wooden bar using nylon cords which should prevent chime loss through breakage. The sound, as expected, is light and airy in a kind of "enchanted forest" way. The CH33HF-R chimes are a different beast altogether, the "R" standing for "Rock", which gives you a clue to both the sound and usage. If the CH27ST is the "enchanted forest" sound then these chimes are "the enchanted forest at night - in a thunderstorm - being chased by a dragon" sound. The chimes are much thicker and heavier and therefore produce a much fuller, louder sound which rings out with clarity and force. Both sets of chimes are very nice indeed, and should sound great recorded or "live".

I have had a long-standing aversion to polyblocks, being of the opinion that "if you want a poly blockwood-block sound then use a woodblock f'chissakes!" I guess the point is that polyblocks (or percussions blocks as Meinl will have it) are more hardwearing than a genuine woodblock would be. But that, as far as I can see, would be the only advantage because the sound, to these ears at least, is just not as good as a woodblock in terms of tonal quality and warmth. These sound harsh and artificial to me. On the plus side they will never break or splinter and come with a nice sturdy and adjustable clamp to enable you to mount the block on top of your hi-hat or on some other suitable stand at exactly the angle you require. The MPE1R is smaller than the MPE2R and therefore delivers a higher pitched sound than its bigger brother who has a lower voice, as one would expect.

pedal mount Finally, if one-man-band-dom is on your aspiration list then the PM-1 Pedal Mount is for you! Essentially it enables you to play any pedal mountpercussion instrument that you can mount on a stand (polyblock, cowbell, tambourine etc) via a bass-drum pedal. All common bass drum pedals should work with the pedal mount, which is also height adjustable and comes with two different sized L-rods on which to mount instruments. It is made from black powder coated steel and is therefore very robust, and has metal spikes which can be coaxed from the rubber ensconced feet by use of the supplied Allen key should your playing surface or stage demand it. I had great fun playing a pedal mounted cowbell while simultaneously "guirorining" which meant that I was creating 3 types of percussion rhythm whereas before I would have only been able to create one. And that is truly innovative.

Upbeats:
All instruments well made and sturdy.
Innovative features on some instruments.
Competitively priced.

Downbeats:
Percussion block sound harsh and artificial.
SH9-L-BK shaker sound harsh.

Prices (correct as of June 2005):

MC-PTS - square percussion table - £42.95
MC-PT - rectangular percussion table - £49.95
MC-SH - Shaker Holder - £6.95
SH9-L-BK - Shaker - £17.95
SH10-L-BK - Shaker - £14.95
WW2BK - Wah Wah tube with beater - £33.95
WW1BK - Wah Wah tube with beater - £28.95
TMT1 - Hand Tambourine - £14.25
JG1 AB - Jingle Guiro - £11.95
CH27ST - Professional Studio chimes - £55.00
CH33HF-R - Large professional "Rock" chimes - £115.00
MPE2R - Percussion block with clamp - £35.95
MPE1R - smaller Percussion block with clamp - £29.95
PM-1 - Pedal Mount - £31.95

Distributed by:
FCN Music Ltd.
Melody House
Wealden Business Park
Farningham Road
Crowborough
East Sussex
TN6 2JJ

Tel: 01892 603730
Fax: 01892 613220

Web Links:
Meinl Percussion

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